LOUDBRAIN

Cities, 2008

Where I was last year:

Charlotte, NC+
Sarasota, FL #
Tampa, FL
Davidson, NC
Blowing Rock, NC
New York, NY *
Vero Beach, FL #, *
Orlando, FL *
Richmond,VA


The plus sign is home base, pound symbol denotes long-term stays of more than a month, and asterisk means multiple non-consecutive visits.

I feel like I travelled a lot more than I did, and I’m surprised that I didn’t go West at least once.


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Things That May Be Related

reuters

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This Does Not Look Good

UPDATE: Stupid blowtorch.

Massive Fire at Universal Studios
capt.a8af4098172c4791bbff95b4d176b248.studio_fire_ny115
AP photos
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What I'm Reading

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Somewhere: The Life of Jerome Robbins A massive biography by Amanda Vaill. Robbins was, of course, a theatrical dynamo, and most show biz people know of his major works, but I had no idea just how many projects the man had a hand in. A clear picture emerges: He was driven, ambitious, energetic, creative, catty, neurotic, ambisexual, and brilliant. And immensely talented.



I also picked up Stretching My Mind: The Collected Essays of Edward Albee. Albee is a marvelous essayist, and his commentary on subjects ranging from Clifford Odets, Samuel Beckett, and Noel Coward, to Louise Nevelson, and Jonathan Thomas, to Three Tall Women, Who's Afraid of Virginia Woolf?, and The Goat, or Who is Sylvia? is a rich, wonderful glimpse of the man, his influences and friends, and our world these past fifty years.


Next on my list: Hi Concept, Lo Tech: Theatre For Everyone in Any Place, about which you may learn
here. Not a new work (published in 1996), but one that seems it may have much to offer in today's environment.

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Beastly

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An alarming docu-drama, which explores the criminal mind. A delinquent foster child, Jack Henry Abbott was imprisoned at a young age. He was robbed of nurturing, cut off from any human contact for more than twenty years. Knowing only primal survival instincts, he lived a constant struggle to remain human, like a solitary light bulb flickering in and out of Sanity. Once released into the world, the ravishing beast inside took over any human spirit he had left.

That's the synopsis from the Florida Studio Theatre web site, and that's where I'll be for the next six weeks, appearing in In The Belly of the Beast. I'll fly out Monday morning, meet my co-players (there are three of us), get settled in to housing, and start rehearsals Tuesday.

The script is intense, and I imagine rehearsals will be as well. I'll post updates throughout my stay in Sarasota, but like much of this record, the updates will be intermittent.


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Cities

Jason Kottke lists the cities he's visited each year.

Here's my 2007 list:

Charlotte, NC+
Richmond, VA
New York, NY
Chapel Hill, NC
Rockingham, NC**
Charleston, SC
Boston, MA*
Easton, MA*
Tucson, AZ

For comparison, here's 2006:
Montclair, NJ+
New York, NY*
Boston, MA*
Easton, MA
Charlotte, NC
Dorset, VT
Richmond, VA
Greensboro, NC
Asheville, NC

In all cases, there was at least one overnight stay. The plus sign denotes the home base. Asterisk means multiple non-consecutive visits, and the double asterisk means it was not an overnight visit, but felt like one.


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Big Brother

I don't use the Dashboard function on my Mac for much. I keep a few widgets open, though: weather, dictionary, calculator, and Slothcam, a webcam checker. One of the cameras is outside TGI Fridays in New York, just around the corner from the Actors Equity offices. Tonight, while I was crunching a few pitiful numbers, the webcam showed a young couple clearly aware that an active camera exists. 707pm
I grabbed this shot at 7:07 pm. They were still there at 7:15.
715pm

A while later around 8:55, I checked the weather widget. The webcam now showed another couple854pm
on the phone, no doubt to somebody who could see them on cam.
903pm
The conversation (s) continued for about 10 minutes, with the kids passing the phone back and forth.
About an hour later, at 10:06, a group of 4 -also on the phone:
1006pm
About 5 minutes later, another guy appeared (the red hat)...and he, too, placed a call and waved.1010pm

This bunch stayed around for another few minutes.
I'm not surprised that people are aware of the camera, but I am surprised that these folks a) know somebody who has a webcam viewer up and running, and b) that they were able to get them on the phone.

Also, that I was fascinated enough to check in at three different times on a random Sunday night and see this speaks volumes about me. Loudest: I need to get out more.



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Glenn Gets All The Interesting Jobs

My friend Glenn has given memorable performances in many films over the years, and he's remained the same guy I first worked with in 1981: Funny, charming, generous, and outrageous. One of his appearances, previously limited visitors at the Venice Biennale and the Whitney Biennale, is now surfacing on the interweb: Trailer For A Remake of Gore Vidal's 'Caligula'. (NSFW)

Michelle Philips, Karen Black, Glenn Shadix in Caligula
Michelle Phillips, Karen Black, and Glenn Shadix (as Claudius)

Of course, there is no such film. The trailer is by Italian artist Francesco Vezzoli, and to get a bit of background, see this article. I urge you to watch the 5 minute film first, though, as the are a couple of surprises in the casting. It must've been a hoot on the set.




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Roscoe Lee Brown

In Los Angeles in the early 1990's, I appeared in a play called To Be Let Alone, at the old Burbage Theatre on the West Side. Directed by Paul Gillette, it was a docu-drama/fantasy, set in the Reagan years, in which a group of 'radicals' kidnapped the conservative members of the Supreme Court and put them on trial for their decision in the infamous Georgia sodomy case. The radicals, as it turned out, were all homosexuals who'd been persecuted for being gay, or in the case of the Prosecutor, the father of a young man who'd killed himself after the decision was handed down.

The play starred Don Galloway as the prosecuting attorney, Denise Dowse as the Judge, and Dennis Safren as the boy's psychologist. I played the bailiff, who was put on the stand to reveal he'd been disbarred for being gay. As trite as the premise sounds, it was actually a powerful piece of theatre, wholly of it's time. I think audiences enjoyed watching William Rehnquist, 'Whizzer' White, Sandra Day O'Connor, and the others, squirm and defend their thinking as they attempted to justify the decision. The cast was quite wonderful, with Galloway particularly effective as a father who realized too late his son's anguish.

Roscoe Lee Brown
We played to full houses, and the show had decent reviews. There was quite a buzz in the gay community, of course, and some nights the audience were very vocal, giving the whole enterprise a feeling of a 'call and response' church service. One night toward the end of the run, after curtain calls and the crowd had mostly cleared out, I walked back out onstage to cross to the exit (this was a very small theatre), I was approached by Roscoe Lee Brown, who'd been in the audience. He shook my hand, and said "Thank you for your performance. So often we're portrayed in a negative light, or with unfortunate mannerisms and speech. You had none of that, just a simple dignity that was very real and honest." Well. As I'm not black, his use of "we're" could only mean that Mr. Brown had just outed himself to me, and further, that he was including me in that "we're". It didn't occur to me to correct his assumption, because I had just been complimented by an actor who I'd long respected and admired. We chatted a bit more, with me asking about, as I recall, his work on The Cowboys, (he found John Wayne easy to work with, with a working-man's sense of humor) and then, in an instant, he was off speaking with other cast members.

Roscoe Lee Brown died yesterday in California, aged 81. He was a consistent, if not ubiquitous, presence in American film, television, and theatre throughout his long career, and I found him to be gentle man, and a gentleman.
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Vanity, Thy Name Is Douglas

Thanks to the technical wizardry of Isaiah at YourHead Software, the new galleries are up and running. There's still commentary to be added to most shots, but that'll happen with time and digging around in my memory for significant stories. Meanwhile, click on the link and see what we've wrought. as always, questions and comments are welcome.


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Shows What I Know

I am a regular reader of Terry Teachout's About Last Night (part of ArtsJournal's group of blogs) and he reviews for The Wall Street Journal, of which I am not a regular reader but, y'know, I've heard of, and he likes the new version of Company:

In an act of recreative genius, Mr. Doyle has knocked the cobwebs off “Company” and turned it into an utterly contemporary chronicle of marriage and its discontents, one whose implications have never been more immediate.Like Mr. Doyle’s 2006 revival of “Sweeney Todd,” this is a small-scale production in which the 14 members of the cast double as their own onstage orchestra, playing everything from piccolo to double bass. It’s no stunt, either: By making their own music, the actors create an atmosphere at once intimate and intense, and Mary-Mitchell Campbell’s astringent new orchestrations strip away all the tired pop-music clichés of Jonathan Tunick’s original arrangements. Add in David Gallo’s appropriately glossy lucite-and-lacquer unit set and Mr. Doyle’s bracingly Brechtian “presentational” staging, in which the performers mostly play to the audience rather than to one another, and you get a show that looks and sounds less like a leave-’em-laughing Broadway musical than an avant-garde theater piece. No, this isn’t your parents’ “Company”—it’s better….

So there you have it, straight from the influential reviewer's mouth, er...pen. I have no reason to doubt his word, but I still don't like Bobby.

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A Miserable Chorus

Should "A Chorus Line" and "Les Miserables" - two revivals that are pretty much carbon copies of the original productions - be eligible for Tony Awards?



That's the question posed by Michael Riedel in
this morning's yesterday's New York Post. Both revivals use the exact staging of the originals, so if awards are given for direction for example, should they not be given to the original directors and not the current directors (who, again, worked from 'blueprints') ?

Several sources predict a grand compromise."A Chorus Line" and "Les Miserables" will be eligible for Best Revival of a Musical, and their casts will be eligible for the performing awards. But direction, choreography and the design elements will be deemed ineligible for Tonys



That's probably what will happen, and it's a moot point: I think Best Revival will go to the yet-to-open "110 In The Shade". Never bet against
Audra MacDonald and John Cullum.
At Amazon:
Carousel (1994 Broadway Revival Cast, featuring Audra MacDonald)
On A Clear Day You Can See Forever: John Cullum &The Original Broadway Cast Recording
A Chorus Line - The New Broadway Cast Recording (2006 Broadway Revival Cast)
Les Miserables (1987 Original Broadway Cast)

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Note To Self: Eat More, Wear Lipstick

This from the BBC:

Scientists have used computer software to come up with what they say is the perfect comedy face. The University of Stirling team blended together 179 different facial aspects of 20 top comedians.

They said soft and feminine features, typified by Ricky Gervais, were more likely to make people laugh.....

Ricky Gervais

"....typically masculine facial traits, such as chiselled jaws and high foreheads are regarded as less amusing and their owners are less likely to succeed in a comedy career.

"Faces of heroic actors are narrower than comedians', with greater definition, smaller eyes and prominent jaws.
Overall their appearance is very masculine, compared to the gentle, feminine qualities of the comedy face"......

Ricky Gervais said:
"All these years I assumed my global success as a comedian was down to my acute observations, expert directorial rendering and consummate skills as a performer.

"Turns out it's because I've got a fat girly face."

Full article here.
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Gone Missing

The curiosity is killing you, I know, and the questions are coming hard and fast: Where's Doug? Why hasn't he posted? Why do I even bother to load this stupid site into my browser?

Yes, there's been a gap. Somewhere, on my very computer in fact, are several blog entries from recent months that have yet to be posted. This can be attributed to flakiness or laziness or even busyness. I'll get around to putting them up, so that you may live my life along with me, but out of sync by about 3 months...which, when you get right down to it, is pretty much how I live, anyway.

Hang in there. Your patience will be rewarded. Well, maybe rewarded is too optimistic....let's just say that you won't be lacking for Doug news and leave it at that.
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Almost Out The Door

We're under a mound of boxes here, a good number of them are packed, but many several have yet to be assembled and stuffed. The movers will be at the doorstep first thing Monday, and by the end of the day we'll have not a stick of our own in the house.

I haven't moved like this since...well, ever. My parents sold the house I grew up in the moment I set out on my own. I did move several times when I lived in LA, but because I was nomadic, I rarely had more than a pick-up truck full of stuff to cart from one place to another. And one of my moves was into an apartment on an upper floor in the same building. But Jo has moved many many many times: big, house-sized moves with two small children in tow.

This one is a bit different in that respect-the girls are off doing Summer kid stuff until the end of July (Hillary to Switzerland, Maia to camp), leaving the heavy lifting to us. Which is probably best. They've both been pretty good about the idea of moving, meaning there's been a minimum of protest, tears, and whining. It has to be tough at that age, though, leaving friends and a comfortable routine for a new life and a new set of challenges.

We'll have our own challenges: The professional theatre scene is not as active in North Carolina (practically nonexistent when compared to this area), so I'll have to cover the South Eastern Region to find work on stage. There are a few commercial production houses, and voice work is a viable option. And I do plan to hit NY every few months, if only to pester my friends.

Jo will need to get her Real Estate license, and NC is a Broker state as well, so she'll need to get that license, too, if she wants to continue in that business.

I can't say I'll miss New Jersey all that much. Montclair is a nice little town ("The Upper East Side of New Jersey"), and the commute into the city is ridiculously easy...we're a half block from the bus and two blocks from the train...but the traffic is miserable here, the surrounding area is filthy, and the state government is hopelessly corrupt.

Feh. Off to play with packing tape.
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Horrid Massacre

I'm recently returned from Easton, Mass, where I was the Guest Director at Stonehill College. The show was Horrid Massacre in Boston by Don Nigro. Below is the kick-ass set by Stonehill's resident designer, Kevin Brown, built primarily by student labor.
masscr_set

I had a terrific time with this job. The kids actors, seen below in costumes designed by Joan Halpert, were great fun to work with; eager, quick, funny, and quite talented.

masscr_cast

As with any show, there were frustrations and obstacles along the way, but cast worked hard- the crew, the costume shop, the stage managers, the house staff, too -and put on a wonderful show. If you saw it, thanks for coming. If you didn't, you missed a dark, funny, and touching theatrical experience.

And now that it's over, I miss them all.

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Somewhere, Art Garfunkle Laughed

Today, the massive electronic clarion at Boston's Downtown Crossing clanged out a welcome. Welcome Spring! Welcome visitors! Welcome shoppers!

And what tune ripped through our springing, visiting, shopping ears?

What did the town fathers choose to blast over a five block area, rattling windows, setting off car alarms, and making babies cry?

'The Sounds Of Silence'.

The irony was entirely lost the assembled springers, visitors, and shoppers.
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Sunny Day On Copp's Hill

Spent a portion of the day wandering around the North End and older sections of town, getting a feel for the architecture and setting of the play. It's been ridiculously tepid here. The sun was actually out for most of my walk, with temps pushing the mid 50's. I'll meet with the designers (costumes and set) on Tuesday, and table rehearsals begin next Sunday. Won't get on it's feet, probably, until the week of the 20th.

I'm still working the first gig, but this week is largely tech oriented, and since this production has been done so many times, tech rehearsals hold little surprise for most of us. The actors are new to it, though, but 3 of them have done our productions before, and one guy has done this show too many times to count.

I miss my girls. I speak with Jo daily, and I'm glad we do talk, but sometimes I want to reach over and stroke her hair or watch her smile, and a cell phone is a poor substitute. I also feel like I'm missing out on huge chunks of the kids' lives. I'm not (I don't think...) but I've grown to like being a 'parent' and all the stuff that goes with it, and I love them.

Hugs. That's what I miss: hugs. They're a huggable trio. No half-hearted, arm-kind-of-around-the-shoulder hugs...these are full on, lung-crushing, body squeezes. Yup...a guy gets used to that.

On a personal note: Hang in there, Bear. I love you, too.
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A Gentle Reminder

Planning to take the subway? Good for you. Mass transit benefits us all. Keep in mind, however, that admission to New York's underground transit system requires a MetroCard for access. Oh, you already have one, you say? Again, good for you. It's helpful to remember that you should have your MetroCard within easy access before you approach the turnstile, especially if you're traveling at busy times, say, morning and evening rush hours.

Otherwise, you will stand at the turnstile, loaded with your shopping bags and your puffy coat with the wonky zipper, and you will search EVERY POCKET for your MetroCard while denying access to the platform and the approaching train several hundred people, all of whom REALIZED THEY WERE TAKING SUBWAY AND ALREADY HAVE THEIR METROCARDS IN HAND.

This reminder also applies to use of New York's many buses. You may find it helpful, during your twenty five minute wait in the pouring rain, to use that time to search your person for the MetroCard so that it is ready to swipe through the card reader as soon as you step onto the bus. DO NOT WAIT UNTIL YOU ARE ON THE BUS TO SEARCH FOR YOUR METROCARD.

Oh, and that cell phone that you have? You may want to practice walking and talking before joining the pedestrian stream on one of New York's many streets. That pedestrian stream has places to go, people to see, trains to catch, and it does not appreciate that YOU CANNOT SEEM TO TALK ON YOUR CELL AND WALK FASTER THAN THE AVERAGE SNAIL.

Showing your friends the many sights New York has to offer? Tourism is great for the economy. Thank you. Please be aware that many of New York's sidewalks are narrow and fraught with impediments such as fire hydrants, news stands, overflowing trash cans, homeless people, and illogically placed signage, and that really, all of us will appreciate it if you and your friends/aged parents/cousins/johns DO NOT WALK FOUR ABREAST in front of us.

And, to answer your questions:

This park, as the sign says, is Bryant Park. Central Park is uptown several blocks, and is much, much larger.

No, I do not have a quarter.

No, they are not made from actual dogs. The sausage, however, is authentic 'track rabbit'.

Yes, anywhere on 42nd Street west of 8th.

Um. No. Ewww. But thanks for the offer.
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Cleaning Up

Bear with us. We're still moving old posts over to this new location. Mostly going well, though we seem to have lost a few entries from last summer. Or maybe I didn't write anything then (Highly Likely...) In any case, I can't continue with this because I'm due at rehearsal.
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Why Fred Bassett?

When I was a kid, we had a Bassett Hound named Molly. She was an agreeable dog, generally, though like all hounds, she tended to vocalize too much. But she was endearing just the same, droopy ears and slobbery jowls included, loyal, kind...with the exception of the time that she snapped at the neighbor girl's face...and she lived a long life, and I think, a good one.
I read the newspaper every day, and part of that ritual is the comics. The 'funny' pages usually aren't so funny, but it's cumbersome to call them the 'occasionally lightly amusing' pages. Included in this 2 page spread is a strip called '
Fred Bassett'. I have had ol' Fred delivered to me for years, in different cities, in different papers, and my question is: Why? Why Fred Bassett? There are certainly several moronic  “comic” strips, to be sure, but Fred Bassett isn't one of them. Fred Bassett is dull. Supremely dull. Majestically dull, even. I have never cracked a smile at Fred Bassett. Fred Bassett resembles no Bassett Hound that I know, now or in the past. And Fred's insipid owners, with their bird watching and tea sets and walking sticks and stupid caps are even duller than Fred Bassett himself.
How did this come to be? Who at the syndicate is responsible for this, and who at all of those papers finds Fred Bassett amusing, or gods forbid, funny?  Beetle Bailey, on his worst day, is Jim Carrey compared to Fred Bassett. Just stop with the Fred Bassett already. And take Funky Winkerbean with you.
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Let Me Make This Clear

I did not then, nor do I now, own a Swatch watch. I did have a Members Only jacket, but it was a gift, and I wore it only in the company of the woman who gifted me with it. And I had not one, not two, but three pairs of parachute pants.

Those, I miss.
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Don(t) Rickles

This post on Universal Rule:

This generic joke came from a colleague who tried to be politically correct:

Q: How many people belonging to a certain ethnic group does it take to perform a particular menial activity?

A: A finite positive integer. One to perform the activity, and the rest to behave in a manner stereotypical of their ethnic group!

I hope this was not too offensive.
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Food For Thought #1

Depending on my mood, the answers change, but this is what they are today:

1. What is your favorite word?
Albatross

2. What is your least favorite word?
Vomit

3. What turns you on creatively, spiritually or emotionally?
Improvisation, meditation, acceptance

4. What turns you off?
Rudeness

5. What is your favorite curse word?
Fuck

6. What sound or noise do you love?
Summer Rainstorms

7. What sound or noise do you hate?
Faulty Mufflers

8. What profession other than your own would you like to attempt?
Sculptor

9. What profession would you not like to do?
Surgeon

10. If Heaven exists, what would you like to hear "God" say when you arrive at the Pearly Gates?
You're early...Come back later.

And what about you? Feel free to embellish your responses.
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How's That Search workin' Out For Ya?

I'm amazed that O.J. Simpson still has not, apparently, found the real killers...or if he has, somebody's keepin' it hush hush.
I know, I know. All the tourists and police activity and the passage of time has spoiled what was once a pristine crime scene, and the world has moved on to other, more pressing, topics. But I can't help thinking that the answer to the riddle is just around the corner. Maybe, just maybe, if we all could - oh, I dunno - pitch in for one weekend a month or something, sort of like a Private Eye National Guard, we could find the evildoer(s).

Who's with me?

Or we could golf.
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This Is Just So Unexpected

The Associated Press reports David Gest Sues Liza Minnelli for $10M.

"Producer David Gest sued Liza Minnelli for $10 million Tuesday, accusing his estranged wife of alcohol-fueled violence that caused neurological damage and headaches.  Gest, 50, alleges in court papers that Minnelli, 57, flew into drunken rages on several occasions on both sides of the Atlantic, insulting and striking him......"



I recall just a few months ago how much in love these two kids were. It's a damn shame, I tell ya.

Did they not have the traditional "If anyone present knows of any reason why these two should not be wed, speak now..."? Surely somebody would've spoken up. Maybe not Michael Jackson, or Elizabeth Taylor, or even Barbara Walters, but why oh why would David Hasselhoff keep his trap shut?
Oh, wait...that's right: EVERYBODY was too busy stifling guffaws to protest anything.

I can't wait for the movie.
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